Wednesday, October 9, 2013

Comment On Schoenbegs Piece Peripetie

Comment on how Schoenberg uses the following musical elements in this region key and Harmony Melody Rhythm Texture woodland Peripetie is an atonal piece. This means that the piece has no key. The piece uses a mountain of dissonant harmonies as well as about of the chords and melodies be often built on hexachords. The texture is broadly speaking Polyphonic with the odd monophonic and homophonic bits. Schoenberg uses a plentifulness of techniques to build up the texture and make it more commove and more complicated. Some of these techniques include inversions, imitations and canons. The rhythms atomic number 18 also abstruse and vary. The rhythms change quickly between ¾, 2/4 and 4/4. Schoenberg also layers disparate rhythms to lasther to create a in truth complex polyphonic texture. The tempo of the piece is Sehr Rash, which means in German, very fast or very quick. The melody is do up of 7 motifs that be combined in various ways. The melodies are disjunct and often sound angular. Schoenberg does this by musical octave displacement.
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Schoenberg doesnt really develop the motif but variant of represents the motif in different ways by development techniques like melodic inversions, augmentation and diminution. Schoenberg uses a large orchestra made up from brass, strings, percussion and woodwind. The instruments change quickly between each different making the piece contrast in timbre. Schoenberg also makes the instruments chance variable at the extremities of their range either very high or very low. He also makes the instruments play in uncanny ways, for example, he makes the cymbal be played with a mallet and cello b! ow to produce an unfamiliar sound. He also uses instruments that are not utilise or not often utilize in an orchestra such as the tam-tam and the contra bassoon.If you want to absorb a full essay, order it on our website: BestEssayCheap.com

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